News and commentary about the mirrorless camera world.
Sigma 30mm EX DN for m4/3 Giveaway
First in a series of sansmirror promotions
I'd like to promote the visibility of sansmirror by increasing the use of the social link options that appear on most pages (e.g. Facebook Like, Twitter retweet, Share This button—see right column), and I'm going to reward someone at random for helping me do that. Some lucky person will get a Sigma 30mm EX DN lens for m4/3 (value US$199).
Normally, Web sites do giveaways via what they call a contest or promotion. Unfortunately, the most common methods used (e.g. retweet this page and we'll pick one of the tweeters as a random winner) fall victim to FTC regulations regarding sweepstakes.
So here's the thing: we're going to try to do this legally, and thus I have to trust the honor system. I humbly ask that you use one of the social media links on one of the sansmirror pages to share that page with someone else before entering this giveaway. If you've shared a page before, share a new page. But I don't require this: you can enter the giveaway without doing what I ask. If your own morals support doing that, so be it, even if it defeats the purpose of what I'm trying to do.
Sorry, but due to the wide discrepancies in applicable laws, this sweepstakes is only open to US residents. You must have a US address to win.
But if you're a US resident looking for good karma:
- Use one of the social links in the upper right column to share a sansmirror.com page, any page, with someone else. It doesn't matter which link you use. Like a page, Tweet a page, email a page, or Google +1 it (additional choices are in the Share button).
- Read the Official Rules, below, so that you understand all the fine print.
- Then click on this link to enter the information I'll need to process a winner.
Official Rules
No purchase is necessary. Only one entry per person will be considered. Anyone found to have entered more than once will be disqualified. Sweepstakes is open only to US residents over the age of 18 only. Employees and contractors of byThom may not enter this sweepstakes. Sweepstakes begins May 16th and ends May 31st.
You enter this sweepstakes by clicking on the link above. You may also enter by sending your name and address on a postcard to byThom, Sansmirror Sweepstake, PO Box 811, Emmaus, PA 18049, postmarked by the last day of the sweepstakes. You are absolutely not required to use one of the social media links on one of the sansmirror pages to enter, though it would be appreciated. You are not required to buy anything. The only requirement is that you submit an entry via one of the two free methods indicated (click on link, or send postcard).
The winner will receive a Sigma 30mm f/2.8 EX DN lens for the micro 4/3 system, valued at US$199. Prizes will be awarded at random to eligible entrants. All prizes will be awarded, and shipped to the winners via USPS. If a winner provides false information or fails to provide the information necessary to ship the prize when requested, an alternate winner will be selected.
The number of eligible entries received determines the odds of winning. Winning names will be posted on this site after prizes are awarded and thus available to all entrants to see. You agree that sansmirror.com may use your name and likeness for promotional purposes should you win. All submitted information about all other entrants will be destroyed and discarded and not used for any purposes unless you checked the box that indicates otherwise. We cannot guarantee that the simple act of entering might not expose your identity to others, as we do not control traffic on the Internet, nor can we control who sees a postcard before it reaches us.
Lost or delayed entries for any reason are not the responsibility of sansmirror and will not be considered; we do what we can to avoid technical issues that may cause this, but we cannot guarantee that there won't be any. All disputes will be subject to litigation in Pennsylvania and decided under that state's laws.
Entrants release sansmirror and its employees, contractors, and owner from all liability entrants may incur by entering this sweepstakes or winning it.
VOID WHERE PROHIBITED BY LAW.
This sweepstakes is conducted by byThom, PO Box 811, Emmaus, PA 18049.
Olympus Diagnostic Info
I mentioned Samsung's diagnostic menu earlier in the week, this time I'll provide Olympus (thanks to a site reader for this).
I'll use an E-M5 as my example, but other Olympus cameras are similar:
- With the power off, hold down the Menu button as you move the Power Switch to On. Continue holding the Menu button until the display appears.
- Press the MENU button.
- Navigate to the SETUP menu, and pick the monitor brightness adjustment (third item).
- Press the Right button, then press OK. You'll see a screen showing Olympus and the camera model number.
- Press the following sequence of buttons: Up, Down, Left, Right, followed by pressing the shutter release, followed once more by pressing Up.
There are four pages in the diagnostics, which are reached by Up (page 1), Right (page 2), Down (page 3), Left (page D). Yeah, it didn't make a lot of sense to me either until I realized that someone was too lazy to code a navigation method: they just assigned the four pages to four buttons.
The first page lists critical information about CPU, memory, and firmware status:
- U = Main user CPU area
- B = boot area
- L = four digit firmware number
- F = four digit flash firmware number
On the second page you'll find a number of pieces of information:
- R = shutter release count
- S = flash use count
- C = cleaning mode count
- U = ultrasonic cleanings count (typical number of power cycles)
- V = Live View count (not used on E-M5)
- B = shots using in-body stabilization
On the third page you'll find:
- CS = camera's serial number
- MCS = CPU code and serial number (model #, year, number; on my camera model 4138, 204 for March 2012)
Page 4 lists error codes that the camera has encountered.
Turn the camera off to leave the diagnostics.
New Version of Sony 18-200mm NEX Lens Announced
Along with the NEX F3 announcement, Sony also announced a new version of the 18-200mm superzoom for the E mount. Pay close attention, as there are many small changes, though Sony didn't offer quite enough information to fill out a full spec list.
The new black 18-200mm is 12% lighter than its sliver predecessor, and it's also a bit smaller in diameter and slightly cheaper. Those are good differences for the small NEX camera bodies. The differences that might trip you are that close focus is now .5m (20") instead of .3m (12"), and that the optical stabilization isn't quite the same, particularly for video work.
Because the new specs that we do know (and photos Sony has supplied) match up with the Tamron 18-200mm, many are assuming that the new lens is just a rebranding of the Tamron. Given the relationship between the two companies (Sony is an investor in Tamron, and Tamron has previously made lenses for other companies), that's entirely possible.
Sony NEX F3 Announced
The low-end model in the NEX lineup has hit version three, with the F3 now replacing the 3C (which replaced the original NEX-3). Each generation has gotten a little more sophisticated, though it has a modest US$600 list price (with kit lens).
The big visible changes are the addition of a built-in pop-up flash and a tilting LCD that can flip around to be viewed from the front of the camera. A close examination shows that the body has grown a bit in size and adopted a look closer to that of the other NEX models, including a more prominent grip. Overall, it's still a small camera. Lenses tend to dictate the overall bulk of a NEX model, anyway, so the size change really isn't substantive.
Inside, the 16mp sensor has been updated slightly, as has the BIONZ processor. The camera now outputs the highest level of video as AVHCD at 1080i/60 or 1080P/24, a step up from the C3 model. One slightly questionable change is the loss of a separate charger: the camera now charges via USB connector. The CIPA-specified battery life is 470 shots, so you need to find a USB port to connect to every 500 shots or so or you'll be breaking down and buying a charger along with extra batteries. At least the battery stayed the same, so NEX-3 or 3C users moving up will be happy.
Another change that is welcome is the new accessory port, which allows you to use an optional EVF, microphone, and other yet-to-be-announced accessories.
Overall, the changes are not dramatic, but they do make the NEX-F3 a more competent all-around camera. With the US$50 price drop, Sony is showing that they want to be aggressive in this market.
Still, it isn't the NEX cameras that I've had problems with, it's the lack of suitable lenses. Sony made a very interesting choice in the NEX cameras: they are distinctly small—even the high-end NEX-7 is smaller than some other mirrorless cameras. This comes despite using the large APS sensor. But the lenses so far have been mostly a cognitive dissonance to the small camera size: the kit lens and the companion telephoto zoom are very large, distorting the compactness of the system. This is a system still calling out for two or three more compact, pancake-type prime lenses (and a better version of the one they have, the 16mm).
Update: I meant Sony lenses with my last comment. As someone pointed out to me, the 16mm Sony plus the two Sigma primes (19 and 30mm) make a small starter kit. That would give you approximately 24mm, 28mm, and 45mm equivalents. Still would need a telephoto, though.
What's the Right Size Sensor?
I made a passing comment about Nikon picking too small a sensor for their mirrorless system, and that got a fair amount of feedback from site readers, so perhaps I should put some more flesh on my comment.
There are two primary views of the mirrorless world:
- Mirrorless sits between compact cameras and DSLRs
- Mirrorless will eventually replace DSLRs
Personally, I think both are true. Though the first statement is clearly true today I don't think the second statement will be true for at least a few more generations, maybe more.
Compact cameras themselves are being squeezed upwards. With competent cameras in most current smartphones, a compact camera can only distinguish itself by "bigger sensor, more lens, more performance." The compact camera makers are attempting to meet the smartphone challenge in three ways: (1) tough cameras (waterproof, crushproof); (2) big lens cameras (10x or wider zooms); and (3) larger sensors (e.g. the Canon G1x, the upcoming Sony, and more to come).
It's that last bit that's the Nikon 1's problem. With m4/3 sized sensors in compacts and APS sized sensors coming, the top end compacts end up being bigger sensored than the Nikon 1, and by a tangible amount. Sure, Nikon will have a slight price advantage (which they haven't yet shown they're willing to take advantage of), but the bigger sensors will have advantages they can't match.
Indeed, think about the Coolpix P7100 followup. With Canon now having the G1x with its basically 4/3 sensor, a Coolpix P7200 with a Nikon 1 sensor seems just a bit small (especially with Sony coming into this game with an APS sensor). True, Nikon has phase detect on the sensor and that makes for fast autofocus. But that's a temporary advantage. Others will put PD on the sensor, too. At that point we're stuck with small versus large.
Meanwhile, Nikon appears to be putting more emphasis on FX sensors. Come fall, we'll a D600 (entry FX), D800 (megapixel FX), and D4 (performance FX) DSLR from them, it seems. That entry FX DSLR will come in at a price point that was originally where the high-end DX camera sat (and adjusted for inflation, even lower). The clear implication is that Nikon thinks they can apply economies of scale to bring FX prices down. Personally, I didn't think that would happen until 2015 at the earliest, but it will happen—it's inevitable in tech for parts costs to come down, though and entry FX DSLR would mean Nikon is pushing faster than the predictions.
So let's extend out a couple of years and try to guess at the landscape:
- Compact cameras: high-end uses large sensors ranging from Nikon 1 size to APS
- Mirrorless: Canon, Olympus, and Panasonic are in the m4/3 size range, Pentax, Samsung, and Sony are using APS (and may tinker with FX)
- DSLRs: APS/DX still around for true entry models, FX mostly for the rest
Where does that leave the Nikon 1? Competing as a compact camera, basically. They're running one stop or two stops smaller than the rest of the competition. That's exactly the position that Olympus was in with 4/3 back in the last decade: one stop smaller than the rest of the competition. As I wrote then, it's not the right strategy.
Perhaps Nikon knows something the rest of us don't. They did get to phase detect on a big sensor faster than anyone else. Perhaps they see a technology on the near horizon that means that they won't be so deficient, after all. For example, if Nikon could put their patented non-Bayer design into a 10mp Nikon 1 sensor (with phase detect, too ;~), that would be a strong move as long as everyone else stayed Bayer.
Does my comment about Nikon picking too small a sensor mean that the Nikon 1 is going away any time soon? Not at all. Nikon has a lot of ways of dealing with this. As I just noted, the may have a technological solution (slightly doubtful), they could use price (likely), or they could just try and tough it out by iterating the sensor quickly, amongst other possibilities.
In short, I believe Nikon put themselves in a slightly awkward position. They'll need to execute well to make up for that.
Samsung's Test Menus
A dpreview forum post reports that you can access the test menus on the Samsung NX200 (and apparently other NX models) via the following sequence:
- Turn camera on
- Select Smart Auto Mode
- Press Up
- Press OK
- Press Down
- Press OK
- Press Right
- Press EV + OK simultaneously
So what can you do with this test menu? Amongst other things, perform a factory reset, set PTP mode for USB connections, and disable the movie record time limit.
Most cameras have debug or test modes built into them. On some cameras these are accessed via holding one or more specific buttons while turning the camera on, others use the Samsung method of button sequence, still others use external triggers through one of the ports (e.g. 10-pin on some Nikon DSLRs).
Some of the things that live in these hidden menus or functions are useful to users and I don't see why the camera makers hide them (e.g. shutter counts). Others are useful to users but there's a reason the makers hide them (e.g. movie record time limits, because of European tariffs on "video" cameras). Still others are potentially dangerous (lifting of shutdown and error messages, complete factory reset, etc.).
Anyone Leica Black and White?
As long-rumored, Leica today announced a monochrome version of the venerable M9 camera, the M-Monochrom. While this may perplex some, there are three substantive gains to removing the Bayer pattern from a sensor:
- There's an approximately 1.5x increase in resolution (no demosaicing means no invented data).
- More light gets to the sensor so the base ISO is higher (ISO 320 on the M-Monochrome).
- Less noise is produced at higher ISO values because there's no demosaic interpreting values.
I've been a long-time advocate of monochrome-only options for our cameras. Indeed, ever since using the Kodak DCS760 briefly back in 2002 I've been a convert to non-Bayered cameras.
It's a shame Leica didn't take the time to make a few other adjustments on the camera. A 2.5" 230k dot LCD really is a throwback, and a camera like this is just crying for TIFF output. I'm also not clear as to why Silver Efex Pro is thrown in for free (along with Lightroom), unless Nik has worked on altering monochrome data in a new version. Price is US$7950.
Originally I had written that we needed more exposure tools. I had missed the point about the camera first displaying histograms from the JPEG but then correcting that to display the raw histogram.
It's Financial Report Time in Japan
Most of the Japanese camera companies have a fiscal year that extends from April 1st to March 31st (Canon is the exception; they use the calendar year), so it's that time of year when most of them are reporting their year-end results.
First in is Sony. Sony doesn't do a lot of break-out of camera numbers (all digital imaging for them in 2011 accounted for somewhere around 8% of their overall sales), but they do provide a few numbers and comments. Digital Imaging at Sony declined 22.5% between 2010 and 2011 in terms of sales. This was specifically attributed to the flood in Thailand, the appreciation of the yen, and the softness of the economies in a few of their key markets. Compact camera sales fell from 24m units in 2010 to 21m units in 2011 (they don't break out DSLR or mirrorless unit volumes). Sony predicted a recovery in Digital Imaging sales for fiscal 2013, though they predicted compact camera sales would be flat (still 21m units in the coming year).
Meanwhile, Olympus also reported their results. One curious thing I found right up front was "impairment losses on asset mainly in the Imaging business." This was listed as 14.1b yen, or about US$177 million. This was apparently due to a complete re-evaluation of assets within the company, including inventory. Net sales for the year in the Imaging group was down 2%, though the overall loss in the group declined by one third. Still, Olympus hasn't made a profit in cameras for some time now. Like Sony, Olympus stated the flooding in Thailand as a reason why net sales fell. The exact number they gave was 6.5b yen (on total sales of 128.6b yen). That Thailand adjustment wouldn't have been enough to erase the loss in the division had the floods not happened, though.
Olympus did report that Pen and high-value compact camera sales were "steady," which implies that low-value compact cameras were the primary culprit in net sales loss. Moreover, there was an inventory build-up of cameras of 17% over the past year. In terms of overall camera market share, Olympus is claiming a 7% share the same as last year, producing 8.15m units with the total market listed at 116m units.
One very interesting statistic had to do with Japanese camera sales versus overseas. In Japan, Olympus camera sales were up 22.4%. Outside Japan, camera sales were down 7%.
Finally, we have Nikon. Nikon is probably the most transparent of the camera companies in terms of information about camera sales, probably because most of their sales are in cameras (64% this year, compare that to Sony's 8%).
While Nikon was impacted directly by the Thailand flood, they actually reported an extraordinary gain (due to insurance proceeds), though this doesn't fully state the impact it had on overall sales. Surprisingly, Nikon managed to beat their previous estimates (made only a couple of months ago) in the Imaging group. They finished the year with 587b yen in imaging sales, and a strong 54b yen profit. Nikon sold 4.74m DSLRs and mirrorless (compared to 4.29m last year; and remember, most of their DSLRs are made in Thailand), 7.13m lenses (compared to 6.36m last year), and a whopping 17.37m Coolpix (compared to 14.26m last year). Nikon claims 29% of the interchangeable lens camera market (DSLR and mirrorless), 17.5% of the compact camera market, and 19% of the overall camera market. Nikon described sales of the Nikon 1 model as "brisk."
Nikon also makes forward predictions (Olympus will, too, but not until their June shareholder meeting). They expect camera sales to increase 24% and profits 48% in the coming year. Yeah, you read that right. Nikon thinks they're a growth company. Let's put that in numbers: DSLRs and mirrorless sales in the coming year: 7m units (up 48% over last year). Compact camera sales: 18m units (up 3.7% over last year). Coupled with the CIPA estimates for industry wide sales, that would put Nikon's market share for DSLR/mirrorless at 37% and their overall camera market share at 22%. Heck, if that we're enough, Nikon expects to sell 10m lenses in the coming year (another 40% increase).
Because yen value is an important part of forward estimates, here's Nikon's numbers there: 80 yen to the dollar and 105 yen to the Euro: basically no substantive change expected in the coming year, which implies no yen appreciation price increases in the coming year.
Update: I missed Fujifilm's result presentation last week. Here's the brief summary:
Imaging Solutions, which includes paper and printing services, is only a small part of the overall company (15%). Fujifilm made the statement that sales of digital cameras, especially high end models (X-Pro1, X100, X10, X-S1) were strong. Indeed, the high-end models had strong enough sales to increase Fujifilm's average selling price per unit (not surprising, as previous to the X100, they didn't have a high end camera to speak of). Overall, Fujifilm claims to have sold 11.7 cameras, which would represent about 10% of the market. That said, the division still lost money during the year, though the amount of loss has declined considerably to the point where in the last quarter it was negligible. Further recovery in Fujfilm's imaging group is likely to make them profitable in the coming year. Fujifilm's forecast for the coming year is 12.3 million units. They also indicated that they would focus on sales of X-series models, which have a higher sales price and profitability. Curiously, Fujifilm didn't announce their planned 20% increase in film prices later this year until just after the earnings reports.
Finally, we have Panasonic: Panasonic is such a huge company that cameras aren't generally broken out in their financial results. The one place where we do see information about cameras is in the sales trend area, where DSCs (digital still cameras) are identified as declining in their just reported year. But Panasonic had such huge declines in TVs, semiconductors, and mobile phones that the lower sales of cameras is just a blip. By the way, if you're trying to figure out where digital cameras fit into Panasonic's huge corporate structure, they are sub-component of AVC Networks division, which includes TVs, Blu-Ray recorders, laptop computers, and camcorders as well as digital still cameras. That group was down 21% in revenue and posted the largest loss of any of the Panasonic groups. It's expected to return to profitability in the coming year, but not post any meaningful sales increases (partly due to TVs no longer commanding the high prices they once did).
What to Make of This?
The Wall Street Journal is reporting that Samsung is gradually reducing its compact camera production at its factory in China and replacing that with mirrorless camera production. To put that in perspective, IDC reported in 2010 that Samsung held fourth place in the global camera market (~11% share, which represents over 10 million units) mostly through compact cameras. Meanwhile, as Reuters reported earlier this year, Samsung only sold 120,000 mirrorless cameras in 2011.
Obviously, Samsung thinks a major change is afoot.
Certainly so. Kodak, which held a 7.4% market share in 2010 is out of the business now. Both Olympus (6.1%) and Pentax (1.5%) have said that they'll de-emphasize their compact lines in the future. So let's just play a little statistical game for a moment, shall we? If the overall compact market declines 10% but Kodak is gone, Olympus and Pentax pull back by half and Samsung by a quarter, doesn't that open up a "hole" that others will step into? By my count, yes, it does, by at least 5% of the market. Most likely Canon, Sony, and Nikon (#1, #2, and #3 respectively in overall camera sales) will gladly step in to fill that hole.
The issue isn't market share, it's profit.
Some analysts believe that only three of the top ten camera makers actually show a profit on their compact camera lines. In recent financial filings, we've seen three of the ten specifically claim losses in compact camera lines and two others of the ten claim market share loss. In a flat or declining market, holding share and restoring profit is nearly impossible. Something's got to give.
But don't expect to see a huge Samsung mirrorless push here in the US because of their announced shift. The primary thrust of their initial change in tactics will be centered on Korea, China, Hong Kong, and Taiwan.
I first wrote about the strong need for a shift in compact camera designs in 2005. We're now well into the period I foresaw, and we're starting to see casualties (Kodak) and shifts in strategy (Samsung, Olympus). That said, I didn't predict that compact cameras would go away, only that they would be squeezed by smart phones and DSLRs in ways that would require a complete rethink of the product in between. The current group-think by the camera companies seems to be that mirrorless (the mini-DSLR) will replace high-end compacts, but I don't actually believe that to be completely true. Mirrorless is just as likely to encroach upon low-end DSLRs, I think. Compacts are a tricky design problem because they're being squeezed in so many directions, but that doesn't mean that there isn't a demand for a pocketable and competent camera.
Update: I had forgotten Samsung's statement in 2010: "determined to be #1 in mirrorless..by 2012" and "best-selling camera brand by 2015." At present, they're #5 in mirrorless and #4 in cameras, but they're also starting to transition out of the cameras that make them #4 (compacts). Compare this to Nikon, who expects to sell more compacts and gain market share in 2012. Moreover, they're almost an order of magnitude behind being #1 in mirrorless at the moment.
Not that Samsung's been the only company to make such bold statements of future progress. Virtually all of the camera companies have proclaimed that they'll achieve 20% or higher share in various camera markets. Sony and Pentax in DSLRs. Panasonic and Fujifilm in overall camera sales. The list of these "we'll be a leader" forecasts is nearly endless. I think I'm going to have to imitate John Gruber and institute a Claim Chowder list.
Update 2: a week later, Engadget reports that they've talked to a senior VP who said they simply made manufacturing adjustments to build NX models. Sounds a bit like gobblygook to me, and doesn't exactly contradict the original Wall Street Journal statement. Again, I'll point out that #3 (overall camera share) Nikon is increasing compact camera production and expects to gain market share, while #4 Samsung has apparently removed some compact camera production, even if temporarily.
Lensrentals.com m4/3 Wide Angle Test
Roger Cicala at lensrentals.com has been running quite a few lens tests lately (he also did one for NEX lenses which I didn't comment on because I hadn't finished my own testing yet). His results with the m4/3 wides basically mimic what I see in my tests (with the GH2 and OM-D as the test cameras).
Take a look at his lens test results here, then come back for a couple of my own comments.
First, I'm not sure why he says he was disappointed in the Panasonic 7-14mm. Compare it against its primary competitor, the Olympus 9-18mm. There's a clear, measurable difference between the two. In my experience you only pick the Olympus if absolute compactness is important to you. Indeed, the 7-14mm does reasonably well against the primes even when the primes are stopped down and the zoom is still at full aperture (though as you'd expect, it doesn't match, let alone top them). That's the price you pay for using a complex zoom, typically. But I have to say that the Panasonic 7-14mm is clearly one of the better zooms available for the m4/3 system. I'm never disappointed in my results with it. Given that it's a wide angle zoom in a small format, that's saying a lot. (The smaller the format, the better the lens designs have to be in order to perform well.)
It didn't surprise me that the Olympus 12mm and Panasonic 14mm and 20mm performed quite well in his tests, especially stopping down to get away from max aperture issues. Those three lenses are small enough to be in my "always carry" set, and I've never been disappointed in their performance. (See Thom's m4/3 Bag for what I usually carry.)
I was a little surprised at his 12-50mm versus 14-42mm results. Perhaps we have some sample variation to deal with here, as my 12-50mm doesn't outperform my 14-42mm by as much as Roger found with his copies (that's not to say that my 12-50mm doesn't outperform my 14-42mm, just not by as much as indicated in Roger's tests). I'll have to see if I can scrounge up some additional samples before I finish my reviews of those lenses. But I'm struck here, too, by the "compact lens doesn't quite match the larger lens" results.
What's missing in Roger's tests are the Panasonic kit zooms, both the original 14-45mm and the X version. Here, too, I suspect sample variation, as I've had two of the original, one of which was very good (better than the Olympus) and the other of which was less good.
Finally, Roger's comment about the Olympus 17mm bears noting: Olympus really needs to redesign this lens. It's the clear under performer in the wide offerings, basically only matching the kit zoom at the equivalent settings. Given that it's only a half stop faster than the collapsing kit lens, there isn't much to make one decide to purchase it.
One final point. I'm not sure how Roger tested, but I found that on a couple of the lenses hoods made a measurable difference (there's a fair amount of ambient light in my test rig, which is done to approximate what you encounter in real use). Too bad Olympus makes you buy hoods even on the expensive lenses (12mm f/2, for example). Likewise, finding appropriate hoods for some of the compacts isn't always easy, either.

